Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Thursday, 28 October 2010

Time for the Advent


















Ahead of his live UK gig @ Corsica Studios on the 5th November techno legend The Advent discusses how he started out in music, the state of the scene today and his inspirations and ambitions in music.

Q: As a true ambassador for techno what is your opinion of the techno scene in 2010?

A: MMMM, good Question! I think techno as it's true pure form, for me has been diluted into to many sub genre's which is a shame, I hear a lot more known djs & artists playing deeper "tech house" rather than the more pumping techno from the past, which for me is lacking in the energy that techno originally brought to the club, of course it depends on the artist & release. Some new artists are maintaining that energy that I personally call techno, like Legotech. Sash Carassi, Spirakos & Steen, Len Faki & Audio Injection to name a few, so there are a few that I am into and would play their music, but most of the other known artists & labels I’m not really into these days. Hopefully in 2011 that energy "wake up call" will return back into techno.


Q: At the beginning of your career you studied sound engineering at college and then moved on to work in a studio. Has this been a big influence on the way you make music?

A: This was my introduction into the music industry! Starting as an assistant sound engineer and working my way up the ladder was a good way to start working with a lot of artists, mostly rock music for the first year but the second year I got more involved with the early house artists and from this point (1987) I was completely hooked on house on techno. I learned a lot between 1986 and 1988 from some of the early pioneer's of Chicago & Detroit like Finger inc, Adonis & Derrick May, TO MENTION A FEW!!


Q: Do you get time to listen to other music and if so what music do you take inspiration from?

A: Yes I do get the chance from time to time to listen to promos but they don't inspire me to make music, usually what gets me ticking is a good weekend playing in front of a 500 club or a 30,000 festival, and seeing how the crowd react to my music, this inspires me to make music the following week, it's my Addiction! 


Q:  What else in life gives you inspiration to make music?

A: Life itself of course, you know sometimes you have a good day and sometimes you have a bad day so the music has it's ups & downs as well, all good inspiration is from life!!
 

Q: If you were going to have a night off and go out to a club which artist / dj would you like to hear?

A:  That’s a hard one as I haven't been to see a dj in a long time, for the last 15 years I’ve been back & forth from London so on my days off I’m usually spending time with my kids and the other weekends I’m always away Performing at events, if I’m on the same line up as another artist / act I haven't heard for a while I usually stay a few hours at the event, as a posed to going straight back to the hotel, the last people I heard were Dave Clarke and the Space DJ'z at Nature One in Germany.


Q: You have recently had a release on Advanced Intelligence, is this your label?

A: Yes it's a new label I started with Ricardo AKA Industrialyzer, for our deeper & slower side. In today’s scene I think it's good to expand your variety in music production, it doesn't always have to be one sided, so the label "AI" is to focus on another side of our music styles.


Q:  What projects and releases are you working on at the moment?

A: Recently I have finished quite a few projects some are actually out in November: 
Pig & Dan "Addiction EP" The Advent & Industrialyzer remix and Tom Hades remix on his "Rhythm Convert-ed" label. Also I just completed an EP for label "1605" which is one of UMEK's and there’s a new Kombintaion Research release on the way "KR034" The Advent Vs Minimalrome which has two nice electro tracks on there. There’s a new CodeWorks & Advanced Intelligence release "Jonestown EP" which was a concept we had about the Jones town Massacre". In 2011 there will be a lot more projects to look out for!


Q: In the past you have recorded a more house sound under the name G Flame, is there any chance we will hear more house style releases in the future?

A: MM, Good question. Well after leaving our contract with London Records / FFRR me and my ex production partner Colin Mc Bean decided to move to another label also run by the same A&R that signed us to FFRR, now he was based at BMG/Metalbox, which for us was a great way to start something New: "GFlame & Mr G", this was a time before tech house exploded, so we used Elements from house into techno and vice versa, unfortunately after 6 12'" EP's and one Album we decide to stop, only a few months later Colin wanted to carry on as Mr G as he had departed from The Advent, so I helped him
with his label "Phoenix G" first 6 or 7 releases, which helped him get into the scene with a new alias. I did start a label for G Flame releases from NYC Called "Alpha Recordings", I had 4 to 5 releases, then stopped to carry on The Advent as Techno is my first option in Music, so who knows, maybe sooner rather than later you might see a G Flame release!!


Q: Do you prefer a day in the studio or playing a live gig?

A: I could never choose between these two! It has to be both. I prefer in the week  to be in the studio and then at the weekend I like road testing the week's studio work. It’s hard to choose as these days I like to be in the studio and performing as much as possible. 

  
Q: What are your ambitions for the future?

A: To discover new Talent with that desire and drive that I had back in the day. There are a few good new names to watch out for; Hugo Paixao and Jason fernandes are two young producers that I have been working with in the past year, we started a new label
S.T.G. and they also have new releases on Kombination Research. So there’s still a lot to for fill and accomplish!!


Q:  What makes a good party for you?

A: First the Sound and PA has to be very good and loud, a good Line up, A LOT OF DRINKS, and whatever’s your poison, then the rest is a blur I think... burp!!!

Interview by Robin Ball

The Advent plays live alongside Ben Sims and Mark Broom in room 1 with Justin Robertson & Colin Dale in room 2. Socialeyes and Tilted Disco @ Corsica Studios London, Friday 5th November 2010. Click here for tickets

Sunday, 9 May 2010

THE MAX COOPER INTERVIEW!!!


Q: You released some great music in 2008 and 2009 which has raised your artist profile, has this changed your life in any way?

A: Yeah I’m more or less doing music full time now, which is great to have the time to do it properly – writing music is very time consuming, it’s hard to get started when you have other commitments as I’m sure a lot of producers out there will know. And now I get strange people offering me high class prostitutes. Or sometimes low class. Which are obviously refused.

Q: You have carved a name for yourself as a deep techouse / techno producer but I believe as a dj you have played different styles in the past?

A: I’ve played all sorts yeah, I have a lot of different musical interests, and don’t like to get pinned down. I used to be all into turntablism, scratching and juggling and all that, which unfortunately doesn’t fit over the sort of music I’m playing now, hopefully I can get back to that somehow in future.

Q: Can we expect to hear some different production styles in the future or are you a 100% purist now?

A: I guess I’ve accidentally answered this partly with my last answer – you can definitely expect some new styles, especially for my album which I’m working on now.

Q: Do you get to cross genres in any of your current dj sets?

A: Yes, my recent mixes up on FTVS and Fabric sites for example, include de
ep house, modern classical, dubstep, electronica, techno and minimal. I’m all for crossing genres and keeping things interesting.

Q: If you were going to have a night off and go out to a club which artist / dj would you like to hear?

A: One of my favourite producers who would play in a club is Stephan Bodzin, who I still haven’t seen out. But to be honest most of the people I’d go out of my way to see wouldn’t play in clubs – Max Richter, Philip Glass and Helios for example.

Q: Harmonisch Serie, Stochastisch Serie and Chaotisch Serie are three of your latest releases on Traum, please explain these names and the concept behind them?

A: The names and concepts are all tied into scientific/philosophical ideas which I find interesting, and which influence my productions and which the videos for the tracks were based on.

Q: What projects / releases are you working on at the moment?

A: I’m doing remixes of two of my favourite artists – Minilogue and Ryan Davis at the moment, plus working on album tracks and a new 12inch EP.

Q: Do you get time to listen to other music and if so what music do you take inspiration from?

A: I mainly listen to modern classical and melodic electronica, so things like Max Richter and Helios as mentioned, and Jon Hopkins, Deaf Center, Olafur Arnalds.

Q:  What else in life gives you inspiration to make music?

A: Science, philosophy, art, nature – I find these things almost inseparable from what drives my music.

Q:  Did you take inspiration from anything when you made the superb “I”?

A:  That track was supposed to be called “i”, but the small letterness of the name got lost in translation somewhere along the line! The name was supposed to refer to the self (i.e. “I”), as well as the square root of minus 1 (i.e. “i”), because the inspiration behind the track was to represent something personal in an electronic form.

Q: How does your production process work?

A:  It varies from track to track, but the best work happens when I start with a clear concept or emotion to try and represent, and work as accurately as possible to that theme so that its message is most clearly conveyed in the resulting track.

Q:  Do you use any hardware in your production or is it all made on computer?

A:  Strictly software for me! I would love to have some real synths, as there is definitely something to be said for the analogue sound in its dance music effect, but they are expensive, and I’ve focused my studio expenditure on maximizing sound quality so far – acoustic treatment and monitors etc.

Q:  As a dj do you play records, cds or are you computer based?

A:  DJing is mainly CDs, plus the odd vinyl, much more fun not to have to worry about a computer when possible, always causing problems those pesky things! I have to use one for my live show though of course. Someone pointed out recently that in spite of the fact that I do all my music and science on a computer, I am in fact a technophobe.

Q:  What makes a good party for you?

A:  Pass the parcel.

Interview by Robin Ball